Pensamientos Acerca de Televisión
Doctor Who (The Second Series): “The End of Time: Part Two”
Well, as I noted yesterday, the David Tennant era of Doctor Who is officially over and in the next episode, we will see a young actor named Matt Smith -- no relation to the other Smiths in the DW universe, I trust -- taking over the role of the Doctor. Russell T. Davies will be leaving too and Steven Moffat -- writer of some of the better Doctor Who episodes -- will be taking his place.
As a result, I was not quite as annoyed with this episode as I was the episode before it. The hungry cyborg/Master still bothers me -- for that matter, so does the Mighty Morphin' Power Master -- but they are not really deal breakers. Nor did I mind too much the sillier elements: for example, that fall from a great height that theoretically should have killed the Doctor outright but instead just stunned him a little. Or for that matter, the magic radiation that killed people but still left a certain alien free to travel about without worrying about contaminating anyone.
RTD did take time to indulge all his greatest hits: armed confrontations, moving planets, Star Wars references, arbitrary visits to characters of previous episodes, etc. He always had a flair for the epic that he could not always fulfill as well as he should -- though given the fact that he's been working on three shows -- Doctor Who, Torchwood and The Sarah Jane Adventures -- it seems amazing that his screenplays work as well as they do.
Anyway, we never do find out Wilf's big secret -- although we do find out at least one secret about him. Nor do we quite learn the true identity of the Woman in White who kept popping up in the previous episode. Yes, she appears to be a Timelady but apart from that, who is she really? Why does the Doctor seem to recognize him. Show writer Julie Gardner has supposedly outed her as the Doctor's mother -- but RTD did not officially concur -- perhaps so that the new guy's writing staff can come up with their own explanations.
RTD has received more than a little criticism about how he first wrote Donna Noble into a situation where she faced certain death and then rescued her at the last second. Granted, her rescue was so unexpected that I kept the Monty Python crew to show up and start singing about how she was saved at the last minute. But I am kinda glad he did not decide to exploit her death for cheap emotional points and even more glad that he gave her a happy ending. Her ending may not make the most feminist fans of Doctor Who very happy -- but they made sense in view of what we already learned about the character in previous episodes and I was glad to see that her new spouse actually seems to care for her.
Perhaps Donna will have children with her new husband and perhaps someday one of them will accompany a future incarnation of the Doctor on his travels through time and space. Of course, that seems unlikely now. But then at one time, a second Doctor Who series seemed unlikely too.
Doctor Who (The Second Series): “The End of Time: Part Two”
Well, as I noted yesterday, the David Tennant era of Doctor Who is officially over and in the next episode, we will see a young actor named Matt Smith -- no relation to the other Smiths in the DW universe, I trust -- taking over the role of the Doctor. Russell T. Davies will be leaving too and Steven Moffat -- writer of some of the better Doctor Who episodes -- will be taking his place.
As a result, I was not quite as annoyed with this episode as I was the episode before it. The hungry cyborg/Master still bothers me -- for that matter, so does the Mighty Morphin' Power Master -- but they are not really deal breakers. Nor did I mind too much the sillier elements: for example, that fall from a great height that theoretically should have killed the Doctor outright but instead just stunned him a little. Or for that matter, the magic radiation that killed people but still left a certain alien free to travel about without worrying about contaminating anyone.
RTD did take time to indulge all his greatest hits: armed confrontations, moving planets, Star Wars references, arbitrary visits to characters of previous episodes, etc. He always had a flair for the epic that he could not always fulfill as well as he should -- though given the fact that he's been working on three shows -- Doctor Who, Torchwood and The Sarah Jane Adventures -- it seems amazing that his screenplays work as well as they do.
Anyway, we never do find out Wilf's big secret -- although we do find out at least one secret about him. Nor do we quite learn the true identity of the Woman in White who kept popping up in the previous episode. Yes, she appears to be a Timelady but apart from that, who is she really? Why does the Doctor seem to recognize him. Show writer Julie Gardner has supposedly outed her as the Doctor's mother -- but RTD did not officially concur -- perhaps so that the new guy's writing staff can come up with their own explanations.
RTD has received more than a little criticism about how he first wrote Donna Noble into a situation where she faced certain death and then rescued her at the last second. Granted, her rescue was so unexpected that I kept the Monty Python crew to show up and start singing about how she was saved at the last minute. But I am kinda glad he did not decide to exploit her death for cheap emotional points and even more glad that he gave her a happy ending. Her ending may not make the most feminist fans of Doctor Who very happy -- but they made sense in view of what we already learned about the character in previous episodes and I was glad to see that her new spouse actually seems to care for her.
Perhaps Donna will have children with her new husband and perhaps someday one of them will accompany a future incarnation of the Doctor on his travels through time and space. Of course, that seems unlikely now. But then at one time, a second Doctor Who series seemed unlikely too.
Labels: Catherine Tate, David Tennant, Doctor Who (Serie Neoclásica), Donna Noble, Pensamientos Acerca de Televisión IV, Russell T. Davies, Series de Televisión de Ciencia Ficción II, Steven Moffat
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